Tuesday, 1 March 2011

research, contacts

Empire Design - 

Address,

29 Queen Anne Street
London
W1G 9HU

Telephone
020 7436 2202

Email
info@empiredesign.com




Every1

Address
First Floor
Brindle Mill 
Bournes Row
Hoghton
Preston
PR5 ODK 

Creative

Address
The Creative Partnership
13 Bateman Street
London
W1D 3AF

Email
(print)Mia Matson - mia.matson@thecreativepartnership.co.uk
(audio visual theatrical)Sarah Fforde - sarah.fforde@thecreativepartnership.co.uk

Franki and Jonny

Telephone
020 3287 7613

Email
them@frankiandjonny.com

BLT & associates

Address
6430
Sunset Blvd
8th floor
Hollywood
CA

Simon Winnall

Telephone
0780 300 3063

Email
simon@simonwinnall.com


LOCAL DESIGN/ADVERTISING AGENCIES





--------------

 
I'm not sure if I want to be a part of advertising? I like aspects of it, and sometimes it can relate a substantial amount to graphic design. I found a few local agencies, which could be easily accessed. I'm just not sure if the type of work I have seen on there websites is really the stuff I want to be a part of creating?

Wednesday, 16 February 2011

OUGD202, evaluation

Throughout this module I have made some good and bad decisions. 

The software 'AfterEffects' was an exciting aspect of the brief, it enabled me to engage and approach a project with a whole different matter of communication. I was very excited at the start of this module as I have always liked on screen work, moving image has been a large part of my 'graphic design' passion. I looked forward to working with it and learning the appropriate software. 

The 'Silent Movie' brief wasn't a brief I connected with very well, I didn't enjoy it that much and realised how bad I was at AfterEffects, it is quite a complex piece of software, I felt that the ideas I had couldn't be animated correctly because of the lack of skill I had on the software. I felt my short animations for the 'Silent Movie' brief were very average, they didn't really show much creativity and in all honesty, I'm not very happy with them. Although, this brief did help me learn a lot more about AfterEffects, with such a programme, I think practicing is what makes you understand it fully. I took notes in Mike's sessions, but the 'Silent Movie' brief enabled me to really test them out, and literally, get used to the basics. 

It was a good start to the 'Top 10' brief, which I began to think about quite early on. Previously, I had made the mistake of thinking too much, too late regarding a brief, this time I wanted to get a head start and really knuckle down on this new brief. I was extremely indecisive for a long period of time at the beginning, which unfortunately lost me a lot of development time. I really want to be as decisive as possible at the start  of the next module! I had certain random influences like, 'Danny Boyle' (Film Director), I did contextual research into split screen styles of working, and moving image, I very much wanted to use moving image/film in my title sequence. This wasn't part of the brief as I suppose the use of AfterEffects would be quite minimum. 

Finally, I chose to do my 'Top 10' title sequence on the subject 'Daredevils'. This idea originated from a film poster, this seems like a strange way to choose a subject, and now, looking back, the wrong way to choose a subject. I felt I was restraint to a style of working and a specific layout and how I wanted my title sequence to look, way before I had done any development. I also focused a lot on music, to me, it was the most important component of the video, I was listening to tracks before I had even chosen my final subject. I wanted to work to aspects of the video (e.g music, style), instead of making them work with my chosen subject. However, I did a fair amount of storyboarding anyway, I was quite interested in my topic, I felt daredevils could be interesting to animate, the subject seemed exciting without any animation, let alone once fiddled with on AfterEffects. Further contextual research into what style I could do with my title sequence was limited, I was maybe too decisive when it came to the style of my animation. I became very fond of the illustrator 'Oliver Jeffers', I wanted to use him, be influenced by his work for my title sequence. If I were to go back, I would've experimented more with styles and layouts of my title sequence. I feel I was too indecisive at first in terms of my topic, but when I had I rushed my choices and did what I thought I liked. 

I am pleased with my final outcomes, in the sense, that I think they look alright. The music goes well and is probably a main factor that makes it work. I like the style as well, the illustrative animated characters are quirky and were fun to create and animate. And overall, the set up of the whole sequence, how it flows works quite well, I like how I have only effectively used one set. 
However, I think I should've done more research (storyboarding) and developing, I can't decide whether I think the title sequence communicates 'Daredevils' or not. My research into other existing title sequences shows that the title sequence doesn't have to relate to the programme that much, e.g 'Catch me if you can' - use of simple shapes, cartoon animations, worked very well. I also feel that my limited skill on AfterEffects was a problem, I was very slow on AfterEffects, and when my ideas were transformed into moving image, they never looked that good. Did I rely on my illustrations to communicated 'nicely' rather then on my skills on AfterEffects? Although, I am aware that the brief stated that technical skills involving AfterEffects that weren't in taught sessions weren't really necessary. My channel also changed very near towards the end, what was originally going to be shown on Channel 4, changed to E4, due to the target audience being quite young and spontaneous. I didn't incorporate much E4 within my sequence, and a lot more so with the Idents - is that normal though? 
Maybe because I have watched my title sequence so many times, and the development work working up into it and throughout it was a little insecure, but my Idents seemed to flow a lot better. Looking back, they are very similar, at first I thought they should all be very similar, perhaps more development and designing could've gone into them to broaden the range? 
My packaging - much more thought went into the contents of it, what was seen inside, then the actual layout of it. I wanted to do something quite simple, but also effective. I did quite a lot of design development for my packaging, ideas regarding bits of thread with little men hanging off it, seemed a bit too arty and could easily look a bit naff. Clean cut, I wanted the packaging to be a digital and illustrative (to involve the title sequence). I was worried that if it was too illustrative it wouldn't communicate 'Daredevils' very well. The inside of my packaging is probably what I'm most happy with, but a lack of creativity and confidence has definitely effected the overall design of the packaging. I feel it's a bit too safe. 
Perhaps I feel my whole project is a bit safe, lack of confidence on AfterEffects, and disappointment when seeing end results has maybe lead me to be extra simple with this module. 
Overall, I am satisfied with my outcomes, however, if given the chance I would definitely do a lot of things differently. I have also discovered how much I love music within design, a good piece of music communicates something a lot better. I have also learnt that I do still like moving image, but prefer footage. A busy, information packed, stressful module, with aspects of enjoyment and times of regret. I would do this module again, with a different approach. 

Wednesday, 26 January 2011

Tuesday, 25 January 2011

Monday, 17 January 2011

TASKS cont...





Local

This is a design company I found in the small town where I live, Letchworth. This company doesn't interest me much, they seem to quite structured work? In the nicest way possible, work I find slightly dull. Although this isn't the type of company I want to become involved with, I could learn something from having work experience there, so I won't cross them off the list. In fact, the likely hood of getting placement with this little company is higher then with one of the larger companies...unfortunately.

National,                                                                                 

This is one I researched earlier, it is based in Manchester, London and Blackburn. This is a much larger design company, perhaps the fact it is national and also deals with higher leveled projects means it appears to be a more lively place to work. It is also situated in three large cities, as appose the 'Signal' which is one, small company in the small town, Letchworth (where I live).  The projects are of a higher standard, work relating to the film industry is always going to be an impressive project. This million pound projects overall, pay big money to these mass markets in which their promotional work is produced. Due to these larger corporations having a higher income, they will pay their employees more than a small industry, however their skills also must be of a higher standard. I don't think, the level and quality of work within the smaller branch in Letchworth, is much lower, I don't doubt their capability, just perhaps the standards of the projects set.

Every1
"These are some of the reasons we love to work within entertainment - we get to play magician. Whether it's a film poster, billboard, DVD sleeve, or film trailer, we assist in creating the illusion that producers and distributors need in helping to build awareness with an audience and ultimately contributing to the vision and passion a director has instilled in their story.
We can handle any size of domestic and international campaign, providing everything from design for print, outdoor, consumer & trade press, to TV online & digital activity, POS and packaging, promotions, copywriting & tagline origination. These services are bolstered by our great creative ideas and clear strategic thinking."



European, 

CAN'T FIND ANY

International,


Empire Design, has businesses in New York and London.














What they want --- >


The requirements this international company requires from its employees are very specific. This indicates high expectations with work produced and employees taken on.


HOW WILL THEY FIND ME?


Throughout this PPD and Enterprise programme, I am going to promote myself as a designer, in some form. 


 - Mail Out
- Website
- Emails
- Letters
- PPD sent through online access?


I have always wanted to design my own website, advertising me and my work. I think this will be an effective way to promote myself. I have spoken to John about this idea, and he has also said how it is a good way to constantly upload and show work to chosen placements/clients. I also think letters will be a more direct way to contact companies I am interested in. I will construct these later on though when I have better knowledge of how to write, what to write and who too. However, I think I should include information about the type of design work I like, I will do this by explaining to them what I like, and also through images of work I have already produced. I will also say what I like about their own work, this will fall under what 'they want to hear' and also a way of showing the work I like. 




WHO ELSE IS OUT THERE


There is a lot of competition. 
 - CURRENT STUDENTS
 - FREELANCERS 

I think my main concern regarding who I am competing against, are current students. I feel that they are the closest to me in the sense of where they are, and what they do, that comparisons will be easy to make. This can either be bad or good. I know I will be catagorised as a student when I am contacting places, and if there is another student who is also getting in contact then they will be an immediate threat. It is a case of separating myself from everyone else. 


HOW AM I DIFFERENT? 
- I like many different areas of design so I feel I could approach briefs in a wide variety of ways. 
- Through experience dealing with lots of different medias of design, I feel I know about different types and how to use them? 




MISSION STATEMENT


In my opinion a piece of design doesn't have to be clear, but it does have to clever. I want to be able to communicate something purposeful, to make even a slight change through original and interesting ideas.

I like to communicate with a range of different medias, working towards work thst is simple but effective. I want to make my audience reconsider a decision, advertise by developing relationships, inspire, and let others experience forms of art through communication. Personal with drive.

Sunday, 2 January 2011

TASKS

Task 1,

What do I have to offer? What skills do I have? What are my creative aims?
I have a passion for lens based work, I like working with cameras and recently I really want to experiment with video cameras, producing films? short films? working in advertising? Anyway, as for the photography, I have always loved films, my dream of becoming an actress is still here, but at the moment I think I am quite happy focusing on design. However, I do still want to be a part of films...in some way? I like the idea of designing film posters, I think some are really good, and they include type/image, so in my eyes they are graphic design. I don't want to narrow my choices down too much, I really don't have much of a life plan actually, at the moment, I would like to do fruit picking in Austrailia (ha), but this idea will probably fade within a few months. Anyway, what I am confused about is how I get into these industries, working with films, but designing the posters? Is it freelance work?
I also love perfume ads, well, not all of them, some are rubbish, I want to create an amazing perfume ad, I think they should be beautifully produced, with amazing photography involved. They should be small films, there is so much you can do with them, I think it would be fun to work with a project like that.
Industry/clients/placements?

I found ths website, it has a link of some of the design companies that deal with Film posters? 
http://www.impawards.com/designers/index.html 

I've just realised, they might all be American? 
I can search individual film posters, and then the design company in which they were designed.









Based in London! (but aren't recruiting), but this website (impawards) is good, more research needed 












This organisation seemed pretty good, but it's located in Hollywood...






















This sounds promising? The Creative Partnership.

















Based in London, Manchester and Blackburn.


























Based in New York and London


























Based in Stafford, but I'm not that keen on this company, 


















INTERNATIONAL INSTITUTIONS.



Situated in Hollywood, shame, they produced some of the top theatrical prints. However, I don't think all these companies are that different, they seem to produce the same quality of work. I reckon reputation and reccomendation is what gets these companies more project offers, this particular site has had a lot of film poster design projects, once they produce one good film poster, then others will go to them.





Based in Los Angeles, although, it started off as a print studio in London! 
What they are interested in as clients;


"We are always interested in meeting new people who love what they do. If you are an illustrator, photography student, designer, art director, copywriter, web designer, web developer, 3D artist, A/V editor, animator or motion graphics designer we invite you to submit samples of your work."




 Santa Monica BLVD, Hollywood.




...

WHAT DO I WANT TO DO?